《塑形書寫：聖物、蟲翅、操場》 黃仲傑個展｜
Writing in Shapes: Relic, Wing, Sport Field - Huang Chung Chieh Solo Exhibition
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「塑形書寫」是以數位建模這項技術作為建構造型美學的創作方法。建模軟體精確無礙的構型能力以及立即模擬的空間感，推遲了技術難題所佔據的時間，讓那明確扎實的視覺迅速地打上眼簾，以應證腦內種種的造型推想；此種立即「現形」的刺激，讓這整個造型發想過程進入一種意識流般延綿不斷的推敲狀態，某方面來說，它就像是將腦中淺層意識的思緒推向了表層，在那裡，形狀與文字是以一種相互流變、持續萌發的狀態運動著——思緒以形狀顯現，而形狀又由字詞拉拔、聚合。因此，塑形以一種書寫的形式融入了日常，成為了對各種事物所見所感的每日練習。
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󠀠The exhibition, "Writing in Shapes," is a creative method that uses digital modeling as a technique to construct aesthetic forms. The precise modeling capabilities of 3D software and its rapid simulation of spatial visuals reduce the time occupied by technical challenges, allowing clear visuals to quickly be revealed, conceptualizations of form to crystallize from the mind. This immediate "manifestation" stimulates a continuous state of contemplation in the entire process of conceiving form. This resembles the stream of consciousness. In a way, it pushes thoughts of the shallow subconscious to the brain’s surface, where shapes and words continuously interact and emerge - thoughts manifest as shapes; shapes are molded and aggregated by words. Therefore, the forms integrate into daily life through writing, becoming an everyday exercise in perceiving and expressing various things.
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黃仲傑 Chung-Chieh Huang
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專注於立體造型的創作，以自身肉體對於時間空間的感知為出發點，期望透過雕塑引領觀者悠遊於其所構築的空間，同時也能召喚那屬於個人內部、私密的、可供棲居的感性空間。因此，雕塑中不乏採用了建築、通道、容器等意象語彙，作為那潛藏於我們內在的意識處所的隱喻。
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